How Do I Know If My Camera Has Hss
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High speed sync flash for portraits
Using the loftier speed sync style with your Nikon DSLR (D7000 serial and above) and Speedlight (SB-500 and above) enables yous to synchronise the flash to shutter speeds all the way upwardly to your camera's highest speed. It works with all exposure modes, and you can apply it with unmarried or multiple Speedlights.
High speed sync flash for portraits
You know those pictures… perfectly lit pictures of people, looking natural, hanging out… a family having a picnic or enjoying a repast around the kitchen table, kids fishing by the pond, mum or dad soaking up the sun in a hammock? The kinds of pictures that look like easy snapshots?
Well, they're miles away from snaps, but they're really not difficult to make once you've mastered the technique behind them – high speed sync. Nearly readily associated with outdoor sports and activeness images, turns out information technology's ideal for lifestyle portraits, besides.
Using the high speed sync mode with your Nikon DSLR (D7000 series and in a higher place) and compatibile Speedlights (SB-700, SB-5000 and some other speedlights such as the SB-900 range) will enable you to synchronise the flash to shutter speeds all the way up to your camera'due south highest shutter speed. It works with all exposure modes, but is best used with the camera in manual mode, and you tin can use it with single or multiple Speedlights.
Get set
1. In your camera's Custom Setting menu (the pencil symbol), ringlet to Bracketing/Flash for the flash sync speed choices (the setting is usually E1 on nigh cameras).
ii. Set the highest sync speed you run across with Auto FP next to information technology. i.due east. 1/320th or i/250th Auto FP
3. Bank check on the LCD on the back of your Speedlight for the letters FP – your confirmation that camera and flash are now in high speed sync mode.
Why utilize high speed sync?
For a flattering soft background that eliminates distractions and so that all eyes are on the subject, a shallow depth of field is vital. That takes a wide aperture (modest f-number) such as f/1.4, f/2.eight or f/4, and out in bright sunlight that requires a shutter speed fast enough to prevent overexposure. Loftier speed sync is what makes that fast shutter speed attainable. It can also be used to add atmosphere by darkening the sky, or to darken the background in order to muffle location distractions or details.
Loftier speed sync tin come into play for indoor portraits, too. In a brightly lit room, or one in which you're billowy your Speedlight's flash off a white ceiling, you'll need to boost the shutter speed to prevent overexposure.
How it works
In high speed sync mode, rather than the flash firing ane flare-up of light, it emits an incredibly rapid series of pulses to illuminate the scene equally the camera's focal plane shutter moves beyond the sensor. This strobing action takes an enormous amount of flash ability, so the wink essentially divides up the corporeality of light into segments as the shutter travels. The faster the shutter speed, the less flash power is bachelor. Often the reduction in power doesn't noticeably affect the image, but if it does, y'all can compensate by either moving closer to the subject or using more than one Speedlight.
Practice makes perfect
Get to know what your Speedlight tin do past practising with it in your garden or out in the street or local park on a bright, sunny 24-hour interval; play around with a range of shutter speeds (e.g. 1/500sec, 1/2000sec, 1/4000sec) to detect out how it balances natural light and fills in shadows.
I of the most typical shooting scenarios for using high speed sync is shooting outside in full sun. If you have the light behind you and your subjects looking into it, they'll probably exist squinting, so instead try shooting with the sun backside them and forestall their faces from underexposing by balancing the sunlight with your flash.
Practice with your Speedlight off the camera, also, either hand-held or on a stand at, say, 45deg to the bailiwick, as this will more often than not give better results than direct (photographic camera-mounted) flash. If you've got a second Speedlight, even so, you could mountain this on the camera's hot-plate and use it every bit a fill light.. When using two or more Speedlights, you lot can control them from the camera-mounted flash using the Nikon wireless remote flash system.
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Source: https://nikonschool.co.uk/hints-and-tips/high-speed-sync-flash-for-portraits
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